Features
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Recent Gifts
November 1, 2022 | Claudia Einecke
The Shaheens took steps to augment their great gift and, in just three years, have added important works by Camille Pissarro, Pierre Bonnard, Mary Cassatt, Berthe Morisot, Édouard Manet, and Pierre Auguste Renoir.
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Andrew Westover Appointed Eleanor McDonald Storza Director of Education
November 1, 2022
The High is pleased to welcome Andrew Westover as its new Eleanor McDonald Storza Director of Education.
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Sustainability Programs
November 1, 2022
The High Museum of Art is dedicated to the collection, interpretation, and preservation of art for present and future generations. But our mission is based on the assumption that there will be future generations to enjoy our art.
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From the Director
July 1, 2022 | Rand Suffolk
With summer in full swing, it’s the perfect time to visit the High for fun with friends and family and to find rest and relaxation in our galleries.
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Oliver Jeffers: 15 Years of Picturing Books
July 1, 2022
This retrospective exhibition showcases nearly one hundred artworks from Jeffers’s picture books throughout his career.
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Off the Grid
July 1, 2022 | Katherine Jentleson
This exhibition surveys the High’s diverse collecting areas, offering unprecedented juxtapositions of works by artists from a variety of cultural backgrounds, unified conceptually by their interest in grids.
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What Is Left Unspoken, Love
July 1, 2022 | Michael Rooks
The exhibition features nearly seventy contemporary artworks from the early 1990s through the present that examine the different ways that one of the most powerful forces of life—love—is understood, expressed, or perhaps left unspoken.
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Bob Thompson: This House Is Mine
July 1, 2022 | Michael Rooks
Taking its title from one of his paintings, Bob Thompson: This House Is Mine traces the transatlantic career of African American artist Bob Thompson as he wrestled with the exclusionary Western canon.
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Stephen Burks: Shelter in Place
July 1, 2022 | Monica Obniski
Stephen Burks: Shelter in Place surveys the last ten years of Burks’s multifaceted, craft-centered design practice at midcareer, which includes global craft projects, industrial design, and a new work inviting radical participation.