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Gatecrashers: The Rise of the Self-Taught Artist in America

October 1, 2021 | Katherine Jentleson

On view through December 11, 2021

Several birds, large and small sit on branches or in nests in a bare tree with twisting branches; a wooden ladder leans against the tree trunk.

Josephine Joy (American, 1869–1948), Waterbirds Nesting, ca. 1935–1939, oil on canvas, Smithsonian American Art Museum, Washington, DC.

Nearly one hundred years ago, artists without formal training “crashed the gates” of the elite art world, as the newspapers of their day put it. Their paintings of American life, as well as fantastical scenes derived from their imaginations, began appearing in major museums. Featuring more than sixty works from leading collections across the country, Gatecrashers will illuminate how artists including John Kane, Horace Pippin, and Anna Mary Robertson “Grandma” Moses overcame class-, race-, and gender-based obstacles to enter the inner sanctums of the mainstream art world. These early “gatecrashers” defied life circumstances that limited their access to art training and, thus, redefined who could be an artist in America.

Although Kane, Pippin, and Moses were the most celebrated artists during this first wave of mainstream art world interest (1927–1950), Gatecrashers also includes lesser-known artists who were recognized in this period, including Josephine Joy, Pedro López Cérvantez, and Morris Hirshfield. Thematic galleries will explore how these artists were embraced as examples of American creative excellence and how their occupational histories played a role in advancing their art careers against the backdrop of Depression-era populism. Their paintings will be connected throughout to works on view from the High’s leading collection of self-taught art to demonstrate how these artists paved the way for subsequent generations of self-taught artists in the twentieth century.

Exhibition catalogue available for purchase at the Museum Shop and at museumshop.high.org. Members receive 10% off Shop purchases.

RELATED PROGRAMS

Curator-Led Tour of Gatecrashers
An exclusive benefit for Donor Patron and Sustaining Patron Members
Thursday, November 11, 11 a.m.
Join Katie Jentleson, the High’s Merrie and Dan Boone Curator of Folk and Self-Taught Art, for an exclusive tour of Gatecrashers.

Visit high.org/gatecrashers-tour for tour details and to reserve your exclusive tickets.

This exhibition is organized by the High Museum of Art, Atlanta.

MAJOR FUNDING FOR THIS EXHIBITION IS PROVIDED BY
The National Endowment for the Arts
The Dorothea and Leo Rabkin Foundation

PREMIER EXHIBITION SERIES SPONSOR
Delta Air Lines

EXHIBITION SERIES SPONSOR
Northside Hospital

PREMIER EXHIBITION SERIES SUPPORTERS
Sarah and Jim Kennedy
Louise Sams and Jerome Grilhot
Dr. Joan H. Weens Estate
wish Foundation

BENEFACTOR EXHIBITION SERIES SUPPORTERS
Anne Cox Chambers Foundation
Robin and Hilton Howell

AMBASSADOR EXHIBITION SERIES SUPPORTERS
The Antinori Foundation
Corporate Environments
Elizabeth and Chris Willett

CONTRIBUTING EXHIBITION SERIES SUPPORTERS
Farideh and Al Azadi
Sandra and Dan Baldwin
Lucinda W. Bunnen
Marcia and John Donnell
Helen C. Griffith
Mrs. Fay S. Howell/The Howell Fund
Mr. and Mrs. Baxter Jones
The Arthur R. and Ruth D. Lautz Charitable Foundation
Joel Knox and Joan Marmo
Dr. Joe B. Massey
Margot and Danny McCaul
The Ron and Lisa Brill Family Charitable Trust
Wade Rakes and Nicholas Miller
The Fred and Rita Richman Fund
In Memory of Elizabeth B. Stephens
USI Insurance Services
Mrs. Harriet H. Warren

GENEROUS SUPPORT IS ALSO PROVIDED BY
Alfred and Adele Davis Exhibition Endowment Fund, Anne Cox Chambers Exhibition Fund, Barbara Stewart Exhibition Fund, Dorothy Smith Hopkins Exhibition Endowment Fund, Eleanor McDonald Storza Exhibition Endowment Fund, The Fay and Barrett Howell Exhibition Fund, Forward Arts Foundation Exhibition Endowment Fund, Helen S. Lanier Endowment Fund, Isobel Anne Fraser–Nancy Fraser Parker Exhibition Endowment Fund, John H. and Wilhelmina D. Harland Exhibition Endowment Fund, Katherine Murphy Riley Special Exhibition Endowment Fund, Margaretta Taylor Exhibition Fund, and the RJR Nabisco Exhibition Endowment Fund